| Film | Year | Director | Writer(s) | Main stars |
| It Happened One Night | 1934 | Frank Capra | Robert Riskin; Samuel Hopkins Adams | Clark Gable; Claudette Colbert; Walter Connolly; Roscoe Karns |
| My Man Godfrey | 1936 | Gregory La Cava | Morrie Ryskind; Eric Hatch | William Powell; Carole Lombard; Alice Brady; Gail Patrick |
| Bringing Up Baby | 1938 | Howard Hawks | Dudley Nichols; Hagar Wilde | Katharine Hepburn; Cary Grant; Charles Ruggles |
| His Girl Friday | 1940 | Howard Hawks | Charles Lederer; Ben Hecht; Charles MacArthur | Cary Grant; Rosalind Russell; Ralph Bellamy; Gene Lockhart |
| The Philadelphia Story | 1940 | George Cukor | Donald Ogden Stewart; Philip Barry | Cary Grant; Katharine Hepburn; James Stewart; Ruth Hussey |
| Casablanca | 1942 | Michael Curtiz | Julius J. Epstein; Philip G. Epstein; Howard Koch | Humphrey Bogart; Ingrid Bergman; Paul Henreid; Claude Rains |
| A Matter of Life and Death | 1946 | Michael Powell; Emeric Pressburger | Michael Powell; Emeric Pressburger | David Niven; Kim Hunter; Roger Livesey; Raymond Massey; Marius Goring |
| Kind Hearts and Coronets | 1949 | Robert Hamer | Robert Hamer; John Dighton; Roy Horniman | Dennis Price; Alec Guinness; Valerie Hobson; Joan Greenwood |
| Singin’ in the Rain | 1952 | Stanley Donen; Gene Kelly | Betty Comden; Adolph Green | Gene Kelly; Donald O’Connor; Debbie Reynolds; Jean Hagen |
| The Quiet Man | 1952 | John Ford | Frank S. Nugent; Maurice Walsh; John Ford | John Wayne; Maureen O’Hara; Barry Fitzgerald; Ward Bond; Victor McLaglen |
| The Sun Shines Bright | 1953 | John Ford | Laurence Stallings; Irvin S. Cobb | Charles Winninger; Arleen Whelan; John Russell; Stepin Fetchit; Russell Simpson |
| To Catch a Thief | 1955 | Alfred Hitchcock | John Michael Hayes; David Dodge | Cary Grant; Grace Kelly; Jessie Royce Landis; John Williams |
| Some Like It Hot | 1959 | Billy Wilder | Billy Wilder; I. A. L. Diamond; Robert Thoeren; Michael Logan | Marilyn Monroe; Tony Curtis; Jack Lemmon; George Raft |
| Lawrence of Arabia* | 1962 | David Lean | Robert Bolt; Michael Wilson | Peter O’Toole; Alec Guinness; Anthony Quinn; Omar Sharif; Jack Hawkins |
| Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb* | 1964 | Stanley Kubrick | Stanley Kubrick; Terry Southern; Peter George | Peter Sellers; George C. Scott; Sterling Hayden; Keenan Wynn; Slim Pickens |
| 2001: A Space Odyssey* | 1968 | Stanley Kubrick | Stanley Kubrick; Arthur C. Clarke | Keir Dullea; Gary Lockwood; Douglas Rain |
| The Godfather Part II | 1974 | Francis Ford Coppola | Francis Ford Coppola; Mario Puzo | Al Pacino; Robert Duvall; Diane Keaton; Robert De Niro; John Cazale |
| Life of Brian | 1979 | Terry Jones | Graham Chapman; John Cleese; Terry Gilliam; Eric Idle; Terry Jones; Michael Palin | Graham Chapman; John Cleese; Michael Palin; Eric Idle; Terry Jones; Terry Gilliam |
| Midnight Run | 1988 | Martin Brest | George Gallo | Robert De Niro; Charles Grodin; Yaphet Kotto; John Ashton; Dennis Farina |
| Shakespeare in Love* | 1998 | John Madden | Marc Norman(?)¤ Tom Stoppard | Gwyneth Paltrow; Joseph Fiennes; Geoffrey Rush; Colin Firth; Ben Affleck; Judi Dench |
*Made at Shepperton Studios, only ten minutes away from where I grew up (and where I found myself filming a few weeks into my first job). In the 'almost made it' section are THE TALK OF THE TOWN/MY FAIR LADY/THE APARTMENT/NORTH BY NORTHWEST^/LIFE AND DEATH OF COLONEL BLIMP/THE RED SHOES/THE SEARCHERS/THE 39 STEPS/THE DAY OF THE JACKAL*/FAR FROM THE MADDING CROWD*/WHAT'S UP, DOC?/WATERLOO/ROMAN HOLIDAY/KNIGHT AND DAY/NOTHING SACRED/THE GREAT ESCAPE~/ZULU/THE ADVENTURES OF ROBIN HOOD/OUT OF AFRICA*#/THE THIRD MAN*/THE LADY VANISHES/THE FRENCH CONNECTION/BUTCH CASSIDY & THE SUNDANCE KID/THE GODFATHER/ONCE UPON A TIME IN AMERICA/UNCLE BUCK/CLUELESS/FERRIS BUELLER'S DAY OFF/LEON/FANTASIA/CHARLEY VARRICK/AVANTI/THE GUNS OF NAVARONE/GROUNDHOG DAY/GALAXY QUEST/THE BIG LEBOWSKI/THE OUTLAW JOSEY WALES/BACHELOR MOTHER/SULLIVAN'S TRAVELS/TRADING PLACES/PRIZZI'S HONOR/THE MALTESE FALCON/THE MAN WHO WOULD BE KING/GREAT EXPECTATIONS/BORN YESTERDAY/TO KILL A MOCKINGBIRD/PATTON/WORKING GIRL/MASTER AND COMMMANDER/THE GRAND BUDAPEST HOTEL/ONCE UPON A TIME IN HOLLYWOOD/IN WHICH WE SERVE/THE ROYAL TENENBAUMS/INDIANA JONES AND THE LAST CRUSADE/MR BLANDINGS BUILD HIS DREAM HOUSE/A HARD DAY'S NIGHT/WAY OUT WEST/HOT FUZZ/THE CRUEL SEA/TOPSY TURVY/GENEVIEVE¨/JEREMIAH JOHNSON/THE ITALIAN JOB/THREE DAYS OF THE CONDOR/JEANNE DIELMAN 23 QUAI DU COMMERCE 1080 BRUXELLES***
#Maybe not a great film given the terrible miscasting of the lead, although Streep is wonderful; but it reminds me of my days in Africa, and I identify very strongly with Finch-Hatton's view of life and relationships.
^Every man has a physical type to whom they are instantly attracted on first sight (even if most lie to women and claim they don't). Eva Maria Saint was mine, clear blue eyes, good cheekbones, and Kitchockian creamy blonde hair cf. Lombard/Dina Merrill/Inger Stevens/Grace Kelly/Julie 'Bathsheba' Christie/Gillian Anderson/Tea Leoni/Teri Garr/Sheryl Crow/Kylie/Mary Stuart Masterson/Diane Kruger/Siena Miller/Léa Seydoux/Alice Eve/Scarlett Johansson etc. (not that I've given this much thought).
~One of the last films to correctly use the word 'Germans' when talking about the enemy. We didn't declare war on the 'Nazis', we declared war on Germany. The 'Nazis' didn't surrender in 1945, Germany did. The 'Nazis' didn't do all those bad things secondary school children are taught about; the German state did (I wonder how many are told to read Daniel Goldhagen’s book, Hitler's Willing Executioners: Ordinary Germans and the Holocaust). We don't say the 'Communist Party' were our ally; we say the Soviet Union was (at least after their deal with Hitler fell apart). I blame Churchill for starting all this. I understand that nobody wants to be beastly about the Germans, but the German people voted Hitler into power, and then celebrated every victory over the enslaved peoples of Europe. "...for whatsoever a man soweth, that shall he also reap."
¤ Marc Norman got an Oscar for this, but not one word of his is spoken by the actors. This is what happens when writers are unionised.
¨Lovely Fifties atmosphere with two stalwarts, John Gregson and Kenny Moore, plus it reminds me of the mews house I owned in the 1980s (freehold no less, a very rare bird on the mighty Grosvenor Estate) in Eaton Terrace Mews just behind Eaton Square, where the young playboy opposite still used the old chauffeur's garage on the ground floor to park both his 1930s Bentley and his Ferrari Testarossa.
I was a little surprised by the favourite director tally, Hitch winning with 4 appearances.
3 appearances for
George Cukor, Michael Powell & Emeric Pressburger, John Ford, Billy Wilder, Howard Hawks, John Huston, David Lean
2 appearances
Michael Curtiz, John Sturges, Francis Ford Coppola, Wes Anderson
*** just kidding!